The most personal is the most creative

The most personal is the most creative

Unshuffled Side

Unshuffled Side

  1. BHARATNATYAM

    My training in Bharatnatyam, which I began

    at age seven continues to influence how I

    think about rhythm, structure, and

    expression.

  1. BHARATNATYAM

    My training in Bharatnatyam, which I began at age seven

    continues to influence how I think about rhythm, structure,

    and expression. While I now perform only occasionally, the

    practice remains a personal outlet, one that shapes how I

    observe movement, timing, and narrative.

  1. BHARATNATYAM

    My training in Bharatnatyam, which I began at age seven continues

    to influence how I think about rhythm, structure, and expression. While I

    now perform only occasionally, the practice remains a personal outlet,

    one that shapes how I observe movement, timing, and narrative.

  1. BHARATNATYAM

    My training in Bharatnatyam, which I began at age seven

    continues to influence how I think about rhythm, structure,

    and expression. While I now perform only occasionally, the

    practice remains a personal outlet, one that shapes how I

    observe movement, timing, and narrative.

  1. CLAOS

    Claos was a casual clay-stamping workshop I organized

    for my friends. Set at Adalaj ni Vav, we used clay to create

    molds from the stepwell’s motifs, transformed them into

    stamps, and printed them into our notebooks, exploring

    texture, place, and different mediums.

  1. CLAOS

    Claos was a casual clay-stamping workshop I organized for my

    friends. Set at Adalaj ni Vav, we used clay to create molds from the

    stepwell’s motifs, transformed them into stamps, and printed them

    into our notebooks, exploring texture, place, and different mediums.

  1. CLAOS

    Claos was a casual clay-stamping workshop

    I organized for my friends. Set at Adalaj ni

    Vav, we used clay to create molds from the

    stepwell’s motifs, transformed them into

    stamps, and printed them into our

    notebooks, exploring texture and materials.

  1. CROCHET

    Crochet is a small but important practice I revisit from

    time to time. I usually make functional gifts like purses,

    book covers and other handmade pieces for friends and

    family. I use the process as a way to slow down and create

    with care.

  1. CROCHET

    Crochet is a small but important practice I revisit from time to time.

    I usually make functional gifts like purses, book covers and other

    handmade pieces for friends and family. I use the process as a

    way to slow down and create with care.

  1. CROCHET

    Crochet is a small but important practice I

    revisit from time to time. I usually make

    functional gifts like purses, book covers and

    other handmade pieces for friends and family.

  1. UKULELE

    I play the ukulele occasionally and know a small

    set of songs. It's a casual practice, something I

    return to for enjoyment and balance rather than

    routine or performance.

  1. UKULELE

    I play the ukulele occasionally and know a small set of songs.

    It's a casual practice, something I return to for enjoyment and

    balance rather than routine or performance.

  1. UKULELE

    I play the ukulele occasionally and know a small set

    of songs. It's a casual practice, something I return to

    for enjoyment and balance rather than routine or

    performance.

  1. UKULELE

    I play the ukulele occasionally and know a

    small set of songs. It's a casual practice,

    something I return to for enjoyment and

    balance rather than routine or performance.

  1. STOP MOTION

    This claymation piece was created as an exercise in self

    reflection. It explored how I see myself as a culmination

    of everything around me. Despite its simplicity, it remains

    one of my most meaningful works.

  1. STOP MOTION

    This claymation piece was created as an exercise in self reflection. It

    explored how I see myself as a culmination of everything around me.

    Despite its simplicity, it remains one of my most meaningful works.

  1. STOP MOTION

    This claymation piece was created as an exercise in self

    reflection. It explored how I see myself as a culmination

    of everything around me. Despite its simplicity, it remains

    one of my most meaningful works.

  1. STOP MOTION

    This claymation piece was created as an

    exercise in self reflection. It explored how

    I see myself as a culmination of everything

    around me. Despite its simplicity, it remains

    one of my most meaningful works.

Cards are on the table.

Want to play?

Phone - 9106642177

koshalmahek@gmail.com

Cards are on the table.

Want to play?

Phone - 9106642177

koshalmahek@gmail.com